There were two announcements this week that will impact post-production workflows. The first was Wednesday night’s celebration of the launch of Red’s new SDK, which leverages NVidia’s GPU accelerated CUDA… Read more »
I finally got the opportunity to try out the Fusion camera I have had my eye on since GoPro first revealed it in April. The $700 camera uses two offset… Read more »
I have been working on a project currently titled 6Below, which is the first full length feature film to be created in the Barco Escape Format. Escape is three adjacent 2K projections, so… Read more »
As always, Blackmagic Design had a number of new products to announce at IBC. But their biggest news to release, was their acquisition of Eyeon Software, makers of Fusion 7. … Read more »
In my role at Bandito Brothers, I have been working for the last year on the film Need for Speed, which releases in theaters this Friday. This has been a… Read more »
The biggest challenge we faced in the DI finishing process for Act of Valor, was preparing for three different aspect ratios for our deliverable, without sacrificing resolution. All of our footage… Read more »
At Bandito Brothers, we have always prided ourselves in being authentic and real. This is one of the values that led Scott and Mouse to cast real Navy SEALS for… Read more »
When we first started out, we had no idea how much footage we would be shooting for the movie, because the 5D lends itself to a different type of shooting style than… Read more »
First off, the long awaited PC version of DaVinci Resolve was released to public beta last week. Both the full version and the free Resolve-Lite now have PC variants available. … Read more »
In theory, stereoscopic media content can be edited exactly the same as 2D content is, when an offline-online workflow is used. This allows the editor to edit one stream in 2D,… Read more »
